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| WORKS IN PROGRESS | ||||||||||||||
| Piece for flute and marimba/vibraphone: I am now working on this piece which should be ready sometime during the summer. The piece will be between 18 and 20 minutes long. It will probably be in three movement. | ||||||||||||||
| OTHER PROJECTS | ||||||||||||||
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The following is a list of percussion projects/pieces that I would like to compose. Some of these projects are in a fairly advanced stage of development while others are either in a preliminary phrase or represent little more than an idea, an exciting possibility. I have also included a third kind of project: the type that has been in the pipe line for a long time and has eventually gone nowhere. Perhaps someone reading these pages may find a way of moving one of these difficult projects forward.
1_ A piece for flute, marimba/vibs (played by one percussion player). The project organizer is Greg Zuber who has formed a commissioning consortium. The Cervantino Festival in Mexico is also part of the commissioning consortium.
2_ Estudios de Frontera. I would like to add a third (middle/slower) movement to my percussion quintet. This would require a level of funding of about US $ 5,000.
3_ Concerto for percussion and symphony orchestra. This is an initiative by Michael Burritt.
4_ Piece for marimba and string quartet. Since there are obvious logistic difficulties in touring or even performing a piece for marimba and string quartet, it does not make sense to write anything other that a very substantial piece for this combination. The duration of the piece would have to be at least 20/25 minutes. This would require a level of funding of about US $ 20,000. I have discussed this project with players in the US (Nancy Zeltsman, Bob Van Sice, Eduardo Leandro), Europe ( Perdro Carneiro) and Japan (Kunihiko Komori) in an attempt to form three co-commissioning consortiums of percussion players with at least one string quartet. Although the initially prospects seemed promising the organizational side proved too complex. |
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